Skip to main content

Have You Scene It Workshop 1

You have a pretty new idea, and new WIP you're dying to write. But you have no idea where to start.

Hmmm.

Or maybe you've written a chapter or two, or perhaps just a scene or two, and it

F
  a
    l
     l
       s

FLAT.

What to do? How do you "make it better?"

Let's start with an example. I've written a basic scene starter and will walk you through step by step and explain what I add and how I can make it stand out from all the other FLAT ones.


The sun shined brightly down, burning my skin. I was alone for the moment, but Troy promised to return as fast as could. The day had been wonderful. There's no way I could have known it would be the last day my heart beat on it's own. If I had known, I'm sure I would have spent it the same exact way, with Troy and my best friends, and my family.


Now, what can you tell me about this scene, just from what's written? I know, I know. It's not a full scene. It's only a paragraph. But you should never write even just a word that isn't needed or adds depth to your story. And writing an entire paragraph just for the sake of space is definitely a no-no! Every word.
Every sentence.
Every paragraph.
Needs purpose.

Whether you are sneaking in setting, time, plot, character development, or an awesome twist or surprise, every word needs to count, pushing the reader further into the story.

So, what do you know about my story from the above paragraph? Very little I'm sure. Let's start with

Character:

1. Hmm, we know the character is possible sick, but not for sure. All we know is the person dies soon.
2. We also can assume the person was happy with how they spent the day.
3. Some guy named Troy was important enough to be named. Is the MC? hmmm...

Goal and/or Motivation:

Nada. Well, it could be she wants to enjoy the day. Create memories.

Plot:

1. There's the dying fact. and that's about it.

Setting:

There's sunshine. So maybe she's outside?

Now, obviously, in only a few sentences, there's no way I cover everything needed to developed a good scene. Today, I'll cover one thing: the SETTING.

Setting can be one of the hardest things to describe in a scene, without writing a boring list of features. Such as,

It was hot. The grass needed to be cut. The trees drooped with dead leaves. the water was stagnant.

We can do better than that, right????

In my sample paragraph above, my MC is a girl, she's spent the day at the lake with her family and friends and her boyfriend. They had a picnic on a ski boat and now she is laying out in the sun on the boat dock with her two friends, waiting on her boyfriend to return with some cold drinks from the cooler. (any red flags about what I wrote, and what I actually had in mind??)

Did you get any of that from what I wrote? ha! probably not:) How can I add detail to the scene? Details about the setting?

I could mention something about the dock.
What about saying "lake" or "boat?"
They are drying off in the sun, working on a tan. I can mention that.

Let's try again...

The high noon sun bounced off the water and blinded my eyes. Even slathered with sunscreen, my shoulders burned as I laid my towel over the sun-baked wood. A boat sped by the dock, splashing water all over my feet. Rhonda and Carla squealed with me, but it felt so refreshing I thought about jumping back in for another swim.

I thing the setting is a whole lot better grounded in the example. What do you think?

You assignment: Take a paragraph or two and work in some subtle setting words. Let the reader know where your character is so they can become immersed in the story, too.










Comments

  1. I'm with you- every word needs to count.

    ReplyDelete
    Replies
    1. Why write words if they aren't important? Thanks for stopping by today!

      Delete
  2. I'm one of those field-dependent people, so it carries over into my writing. If I don't have my characters fully engaged in their setting, I can't write their story. I liked the sounds and feel of your second example. You appealed to my senses and pulled me into the story. "Bounced off, slathered, squealed". . . I love strong verbs like these.

    ReplyDelete
    Replies
    1. I think I struggle more with verbs, strong verbs. It takes creativity to get it right.

      Delete

Post a Comment

Popular posts from this blog

Operation Agent Ink

UPDATE: PLEASE FILL OUT THIS QUESTIONNAIRE AFTER YOU SIGN UP. Have you ever wondered what agents were dying to find in their inbox/slush pile? There have been many times I entered a contest and not even received a comment, not even from one of the agents. Or maybe the agent was kind enough to leave a comment that simply said, "Sorry, this just isn't what I'm looking for, but I love the premise and your voice." I always walk away feeling unsatisfied. If I had known exactly what the agent wanted beyond, "YA" or "Fantasy" I might not have even entered a contest I knew I wouldn't win! Even more, I wasted a very busy agents time! Well, your time of guessing is up! OPERATION AGENT INK to the rescue! That's right! This workshop will help aspiring authors get on the list of an agent's WISH LIST! When the workshop is over, your manuscript will be ready to view by a group of AMAZING agents who are dying to see what you've wri...

Writer In Motion CP feedback

Hey beautiful guys and dolls! Here it is! My CP feedback edited story. Had a hard time with this, but I hope it makes sense. I've got a post I'm working on I plan to put up after Thanksgiving. Here ya go. Enjoy... Every morning I wake to carnival day.  Today, though, I have my key. If I don’t use it before midnight, my way of escape will gone. It’s a silver key with a twisted metal handle, a sapphire stone half moon and engraved stars. There’s a tiny inscription on the moon, but it’s so small, I’ve never been able to read it.I’ve always kept mine in my jewelry box, but today, I string it on a ribbon and tie it around my neck. My two best friends will be wearing theirs, too, and I wonder how they will escape this carnival of dreams. “What’s it for?” Cress asks as we stand in line for the swings. I run my fingertips over the entire silver surface. “I don’t know. It belonged to my grandmother,” I say. “Whatever.” She shrugs her shoulder in a dismissive way. “Have ...

Workshop 10

Today, let's get readers hooked from the very first sentence. If you do, you are off to a great start and hopefully a great first chapter. We are going to focus on the first and second sentence and how you can draw readers in while introducing two major items about your book: 1. Your MC 2. The main conflict. How? Is it really possible to do this in only TWO sentences? YES! Example: My name is Snow, like the white powder that falls during winter, though I don't know what my mom was thinking because it was ninety degrees the day I was born. I turned twelve the year I married a man I hated and thirteen when my first baby was born. This sentence tells us a lot. It shows us a little about Snow's personality, it hints toward a shortened childhood and could possibly point to a different time era. I also can definitely see the conflict. Can you? You only have a few minutes to make a good, first impression. Make sure you wow your reader enough they'll actually t...